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L’étranger
Victor A. GRAUER - Aliens among us
ACT THREE
Scene 10
Street peoples encampment under the ruins of Brooklyn Bridge. The Professor
is pacing back and forth, the length of the stage, very agitated, speaking
frantically and very rapidly into a cell phone. The Street Person squats
at extreme stage left, observing him. The Professor
So let me get this straight. The aliens have gotta be guilt projections,
right ? Projections. They look just like starving children — living skeletons,
right ? Living — skeletons. Real aliens from outer space wouldn’t
look like that, they wouldn’t look like anything here on Earth.
So we’re somehow projecting them. Projecting. Projecting them
projecting them. They’re fantasies, expressions of our guilt at having
more than enough to eat, to eat, eat eat — while most of the world lives
perpetually on the brink brink of starvation brink of starvation.
All those aliens in all those “abduction” reports, “alien autopsies,”
autopsies, all those many many flying saucer movies - they’re
specters, phantom echoes of people here on Earth on Earth here on Earth whom
we’ve marginalized, tried to forget about, put out of our minds. But
NOT our subconscious. Subconscious. That we can’t control.
We can’t control it. Can’t control. Can’t, can’t,
can’t.
Street Person
Pull yourself together, Prof., you’re turning into a nut case.
Professor
Shakes head vigorously back and forth. They’ve always been with us, really, but have taken different
forms over the centuries : elves, fairies, the “little people,” fantasy
projections of real tribal peoples, like the Picts, the Picts Picts, whom
we’ve displaced. Displaced. And the different forms forms forms
forms they take reflect our ambivalence toward them. Ambivalence. On
the one hand,
Holds up his right hand, stares at it. creatures like ET, sweet, childlike, intuitive, magical - a reflection
of our guilt because deep down we feel we’ve victimized innocent people
who might in fact be superior to us, spiritually stronger stronger -
whom we are hoping will forgive us. Forgive. On the other hand
Street Person
Oh puke. Double puke. Forgive us for what ? Look at all this
country’s done for these people, check out the foreign aid
budget, why don’t you. When I worked for Enrot, I lived
among these sweet victimized “innocents,” I know what they’re
like. Hell, I was one of the people victimizing them. You can’t
trust ’em for a minute, turn your back and their skinny little hand
is in your pocket - and the other hand has a knife in it, pointed at
your throat. What a load of bilge .
Professor
Holds up his left hand. On the other hand — creatures like the huge, reptilian monsters in
those Alien movies. Voracious, cunning, ruthless, evil to the
core, hungry for human flesh flesh human flesh — with the even more disturbing
power of taking us over, inhabiting us, possessing us. Is this
a projection of the vengeful Oedipal father ? Father, father, father, father ?
Or, perhaps, a projection of we we ourselves, as we must appear we must
appear to those we dominate. Dominate. A mirror image of our own true nature.
Mirror. Image.
Pause. Street Person
Voracious, cunning - ruthless ? What’s so bad about voracious,
cunning and ruthless ? I’ll have you know this nation was built
on voracious, cunning and ruthless, it’s part of our national character.
Professor
Still talking into the phone. But what if they are no longer fantasies, no longer projections, what
if they have somehow become real ? Are we now living in some sort of mythic
space mythic space where our most private inner subconscious guilts and fears
have bubbled to the surface ? The return of the repressed return of the
repressed ? Are those now threatening us both ruthless, vengeful fiends,
who must be sought out and destroyed in this our real world — AND at the
same time same time actual living breathing victims innocent victims innocent
victims of our greed, who should be protected and and nurtured ?
Agent Mauve appears. She is gaunt, haggard. Agent Mauve
Oh Professor, thank God, I’m so glad I’ve found you.
Professor
Who ? What ? Where ? Oh, Jennifer. Jennifer. Jennifer, how
nice to see see you. Are you OK ? You don’t look too great.
Agent Mauve
Pointing to the cell phone. Oh I’m fine. But don’t let me interrupt your call.
Professor
Oh that, that’s nothing nothing. Doesn’t work actually
Throws away cell phone. He is VERY upset. Now tries to calm himself.
Starts twitching. I found it on the street, in the garbage. Just use it so I can talk
to myself without looking too weird, you know ? Weird.
Agent Mauve
I see. Please try to be calm, Professor. I must say, with all
respect, I’ve given it some thought - and I really don’t
know what to make of your theories. I overheard most of what you were saying
just now into the phone — and — you don’t seem to be making much
sense, Sir - if I may say so. It just doesn’t add up.
Street Person
Tell me about it, lady. I get to listen to it all day.
Professor
Nonsense. Yes. No sense. Making no sense, yes, undoubtedly that’s
it, that’s it, sense.
Agent Mauve
You’ve heard about Washington, the bomb ?
Professor
Bomb ? Bomb ? Where ? What’re you talking about ? Haven’t
seen a paper in days. No TV in MY living room, that’s for sure. And
when the guys here start trading rumors, rumors, I just I just tune out don’t
wanna hear it.
Street Person
The guys in a world of his own, that’s for sure.
Professor
Actually since the bombing of the bridge, I’ve really, I must
say I’ve really tried to avoid the news, avoid avoid it. Never been
quite the same after that the same. It scared me Jenny, scared me it scared
me.
Agent Mauve
Me too, Professor. [ takes a deep breath .] A “dirty bomb”
went off in Washington last week. It contained very dangerous radioactive
materials that got widely dispersed. It exploded not far from my office.
Thank God no one was killed at the time. But there’s radioactive
fallout. It’s been detected in several places. The city has been
evacuated, can you believe it ? I think I’m OK - but I’m
not sure, I’ve been feeling kind of strange. For some reason I think
I might be pregnant. How could that be ? And some of my hair
has started to fall out. Our team has been transferred to a new location,
but - I I just needed to be with someone I could talk to, someone I
can trust.
Starts to cry. You know I finally managed to get through to Randy. He’s
OK, he got away from the aliens. But I miss him. I need him. I want him
here, with me - for real. I want to touch him, hold him in my arms.
A puff of smoke rises from the street. Professor
Bomb ? Dirty ? Dirty bomb, bomb went off ?
Notices smoke. Did you see that ? Did you see that ?
He lies flat on the street, sniffing. What you said about Ancestors, the Ancestors the Ancestors, what you
said ? What Randolph heard them say, the aliens, what they said about the
Ancestors ?
Agent Mauve
Oh yes, I was meaning to ask you about that. According to Randy,
these Ancestors are somehow our ancestors, our earliest ancestors,
from long before the aliens, long before just about anything. They are angry with us. And they appear in the form of - smoke.
Can you make anything out of that ?
Professor
The smoke ? Can I make anything out of the smoke ? The smoke ?
Agent Mauve
You know I really feel funny, feeling kind of sick - to my stomach.
Begins to retch. Professor
I - you know - I’ve been thinking and . . . thinking,
thinking. And I think I’ve been seeing them myself, the Ancestors.
That smoke, see that see that see that ? They’re all around us, Jenny,
all around us. The Ancestors Ancestors, they’re everywhere everywhere.
[ pause ] Everywhere. What does it mean ? Mean. What what
does it mean what does it mean ?
Street Person
You know, Prof, you must be driving me nuts along with
you. Because I think I see it too. That smoke, what is it, Ancestors
you say — gosh it sure does look weird . . .
Agent Mauve doubles up, holding her stomach and goes offstage coughing,
followed by the Professor. The Street Person remains, fascinated by the
billowing smoke. Blackout.
Scene 11
On stage right, a large blowup of a photograph of a starving child, hairless,
with large head, distended belly, pencil thin neck and limbs - facing
stage left. On stage left, a man at a table overburdened with all sorts
of food, mostly meat, facing the photo of the child. Throughout the scene,
the man eats voraciously, all the while screaming at the top of his lungs. Eating Man
Why are you trying to kill us ? What have we ever done to you ?
Starving Child
The child’s voice emerges from an actor seated behind the photo. Please, Sir, I am starving. Can you spare just a bite to eat ?
Eating Man
It’s terrible. We are living in fear. Who knows when we will
be attacked again - or where. All because of you, you bloodthirsty
monster.
Starving Child
My village was attacked by tanks. Our house was destroyed. I
have no where to live, nothing to eat.
Eating Man
Last week a building near us was bombed. Ten of our neighbors were
killed. Good people. Honest people. Gentle people, who wouldn’t
hurt a fly.
Starving Child
Last week my best friend died of a simple bacterial infection. There
were no doctors, no hospitals, no medications for him. Now the entire neighborhood
is ill.
Eating Man
Yesterday, in the village next to ours, a bus full of schoolchildren
was bombed by one of your friends, a demented fanatic so thirsty for our
blood he was willing to destroy himself to shed it.
Starving Child
I too am ill. I’ve had no medicine at all. And no food at
all for three days. Please Sir, can you get me some antibiotics ? Can you
spare just a small morsel of food ? I’ll eat anything.
Eating Man
I ran to the wreckage, witnessed the carnage. It was the most terrible
thing I’d ever seen. Small children, torn limb from limb. Blood everywhere.
Their mothers were screaming, the fathers tearing out their hair. How can
you commit such acts, time after time, what sort of depravity has taken
hold of your soul ?
Starving Child
No one in my village can find work, almost all are homeless. What
little water we have is filthy, there is no medicine, no food. We are starving,
Sir. Please in the name of all that’s holy, take pity on us.
Suddenly there is a tremendous explosion from stage left. Blackout
Scene 12
Stage right is the same as in the previous scene. On stage left is now
sitting the Alien Chief of Scene 3, large, menacing and skeletal. He is
seated at a table, assembling a large bomb. As they speak, smoke gradually
accumulates from behind the picture on stage right.
Alien Chief
Look what they have done to you. Look around you at your village,
it is a pile of rubble, they have destroyed it. How can you just sit there,
staring into space ?
Starving Child
Please, Sir, I am starving. Can you spare just a bite to eat ?
Alien Chief
Food should be the last thing on your mind. Look at me. I haven’t
eaten anything at all in over one thousand years. Yet each day I grow
more powerful, feeding only on my hatred and lust for vengeance.
Starving Child
If you wish to help us, then please act soon. We need basic supplies,
water, medicine and food.
Alien Chief
We have tremendous resources, weapons, provisions, millions in cash.
But every single item, every cent, must be reserved for the great work
ahead. Join us ! Pledge your life for our holy cause. Die a hero, a
martyr. “ How beautiful it is to make your shrapnel kill the enemy.
How beautiful it is to kill and to be killed - not to love death, but
to struggle for life, to kill and be killed for the lives of the coming generation.” [Actual quote from Palestinian suicide bomber Mohammed al-Ghoul -
see Pittsburgh Post-Gazette, front page, June 19, 2002.] Starving Child
I do not wish to die. I wish to live. You have millions. Why
can’t you share just a small amount with us ? We need basic
supplies, water, medicine and food.
Alien Chief
You don’t understand. We are here on your behalf.
For too long have your people been beaten down, starved, humiliated. It
is time to fight back, to die the death of a martyr. It is indeed a great
thing to give ones life for such a cause.
Starving Child
It may indeed be great to give ones life for some noble cause.
But it is no great thing to demand such a sacrifice of others. How is it
that, after so many years of sending your loyal followers off to martyrdom,
you yourself still walk this Earth ? As for our defeat and humiliation,
they are as much your fault as that of those you revile - and envy.
By keeping us focused on hatred, revenge and martyrdom, you have made it
impossible for us to fight effectively for our rights, find a place for ourselves
in the world, seek out ways to improve our lot — and live. Your vision
is flawed, your crusade warped and corrupted. Friends like you we need
like a hole in the head, you bloody, cheesy, hypocrite.
Pause as smoke rapidly fills the stage. Then there is a flash of light, followed by the sound of a tremendous explosion
on stage left. Blackout.
Scene 13
One year later. El Presidente is addressing the nation. We hear canned
applause. He raises his hand and the applause subsides.
El Presidente
Well, the bad news is that none of us will be returning to our nation’s
capital any time soon. At least not for, ohhhh, roughly, two or three
thousand years.
Canned laughter. Now that’s what makes this country so great. That we can laugh
about this sort of thing. Seriously, I’m very proud of all you good
folks and your families for all the courage you’ve shown in the face
of such enormous dangers and hardships. You are all heroes. Many have,
as you know, become ill with radiation poisoning during the past year.
No telling how many cases of cancer and other diseases this could lead to.
And the latest tests have confirmed our worst fears. The entire
city is contaminated with nuclear fallout.
The good news is that this was not the work of alien terrorists.
After an intense investigation, we’ve been able to determine the
bomb was constructed and activated by a skinny, pimply high school student
of the type we all used to make fun of as kids. Found some highly radioactive
substances stashed away in his dad’s garage. Learned how to assemble
the thing from some media network Web site on the Internet. What will kids
think of next ?
More canned laughter. And now I have a very special announcement to make, because it seems
there is a silver lining to this awful dark cloud that’s enveloped
us. The radioactive materials used in the dirty bomb that went off in our
nation’s capital were of a highly unusual sort. We’ve had,
of course, some pretty disturbing mutations among babies born in the past
year, that’s to be expected, very sadly. But we’ve also had
a development that was totally unexpected, something that gives us hope for
a much brighter future ahead. Because one of these mutants, born to one
of our own operatives, whose name unfortunately cannot be revealed, and conceived,
as I understand it, at the very moment the bomb went off, has some truly
remarkable powers. At this time, I’d like to invite the proud Momma
to come up here on the stand with me, so we can take a closer look at this
truly special child.
Agent Mauve appears. She is holding a “baby” in the form of a basketball,
to which two very large, pink ears and a shock of very long, stiff, orange
hair have been glued. On the basketball has been painted a large smiley
face, also in bright orange. Agent Mauve
Oh Mr. President, this is an honor, truly. I feel situated in a
space fraught with the utmost in historic resonance. And I’m just
SO proud of little Randolph here, really, you know he is what could be called
a “chip off of the old block,” to employ a phrase from the vernacular.
El Presidente
I only wish his dad could be here at this time, but he is, as we speak,
on a mission of the utmost importance. And now, if I may, I’d like
to demonstrate for the world some of the truly amazing properties of this
child.
Takes little Randolph from his mother and holds him up for all to see. First of all look at how developed he is, how advanced, for a child
only three months old. And believe me, he’s a little tiger, tough
as nails. Look, you can grab him by the ears
Grabs little Randolph by the ears and shakes him back and forth. and not a peep out of him. You can even bounce him - like
a basketball.
Bounces little Randolph on the floor several times. Has no affect on him at all, take a look for yourselves, folks.
And he’ll never cry, not a peep out of him, what a kid.
Canned applause. But there’s more, much more. Look, you can shoot him.
Tosses little Randolph in the air, pulls a pistol from under his belt,
and shoots at him several times. Doesn’t even phase the little guy. Stomp on him too.
Drops little Randolph to the floor and stomps him several times. Not only that, but he can already talk - and at the age of only
three months.
Agent Mauve
I’ve recently taught him how to read, Mr. President. And he’s
been just eating up all the books we have at home. He even understands
philosophy, don’t you dear ? Why don’t you ask him a question
and see how he does ?
El Presidente
OK. Uh, hmmmm, now lemme think. Uhhhh. Ok ok — little Randolph,
can you tell us something about the meaning of life ?
Little Randolph
Speaking in the voice of a young child. “The meaning of life.” The meaning of life is desire — as encoded
in our DNA, a nucleatoid chain designed to replicate itself endlessly.
Since this desire was present in the very earliest life forms, it must
have its origin in something prior to life, something truly primordial, already
at work in non-organic matter. Freud has called this primal force the
“death wish” because in his view what is most fundamental about desire is
the desire to return to that original, non-organic state. But that cannot
be true. Because it was that original desire on the part of inorganic matter
itself which must have given rise to life in the first place. And so, over
millions of years, even as each generation returns inevitably to that inorganic
state, that primal, originary desire of the most ancient ancestors of all
living things burns on in us, their descendents. And therein lies a conundrum,
for if the meaning of life is desire, then what is it that is desired beyond
the replication of more life and the multiplication of that same desire ?
As Jacques Derrida has so astutely pointed out . . .
El Presidente
Patting little Randolph on the head. Ah, yes, yes, of course, Jacques Derrida — well my little man, we
don’t want to tax your brain too much do we ? Let’s have a big
round of applause for this remarkable lad and his Mom.
Canned applause. Agent Mauve lifts little Randolph into her arms, waves
to the camera, and exits. Our scientists tell us Little Randolph here is the prototype of an
entirely new life form of the future, produced as a result of a unique synthesis
of science and natural forces. I’ll tell you frankly that his father,
one of our secret agents, had already undergone significant genetic alteration
to make him invulnerable to just about any kind of attack with conventional
weapons. So little Randolph here has inherited some of those genes to be
sure. But the lad was also affected by the fallout from the “dirty bomb,”
which produced some truly amazing mutations, both enhancing what he inherited
from his father and extending his powers well beyond that level, so truly,
he can be regarded as a kind of superman, totally impervious to any possible
weapon of mass destruction, including even a nuclear device — and at the
same time possessed of a truly awesome intellect, capable of solving virtually
any sort of logistical, tactical, strategic, marketing or public relations
problem. Since every aspect of his genetic makeup is now known and understood
by our scientists, we are currently in a position to manufacture a whole
army of clones, an entirely new kind of human being, a “new man”, empowered
to face the many challenges of the coming Millennium. And so, my friends,
it can truly be said that from our greatest adversity has sprung our greatest
hope.
Canned applause. Long pause. El Presidente’s face becomes very
serious.
Be that as it may, I have found it necessary, given the extremity
of the threats we now face, to make some very tough decisions. One. Since
the seat of government, our capital city, is now uninhabitable, there is
no place for Congress to meet. And even if there were, hey, as we all know,
it just takes these folks way too long to agree on anything .
Canned laughter. So I’ve decided to disband Congress and make all the decisions
myself. Two. Since all those even loosely resembling the aliens have
increasingly become victims of vigilanteattacksbasedentirelyonethnic
profiling, which, as you know, I totally abhor, I have decided, for their
own protection, to intern them in special concentration camps. That should
keep them out of harm’s way - and out of trouble. Three. Since
the media have irresponsibly been giving out all sorts of information that
could be used by our enemies, I’ve decided to rescind the 1
st Amendment and revoke freedom of speech. Four. Since
all of the above is bound to lead to protests and such protests would simply
play into the hands of the aliens, I have decided to impose a ban on all
forms of political dissent, as of right now. And, to make sure all these
new laws stick, I have cancelled the upcoming elections until further notice.
[ pause ]
Smoke begins to emanate from stage right. I hope everyone understands that these extremely difficult decisions
have been made with the greatest reluctance and only because this is the
one way we can effectively defend our freedoms and our democratic way of
life in the face of this absolutely unprecedented crisis. And I mean that
sincerely.
Canned applause. Agent Orange can now be seen, emerging from the smoke
on stage right. He stands beside El Presidente and places his hand on
his shoulder. El Presidente seems not to notice either the agent or the
smoke, but his face has taken on a confused and troubled expression. Uh, what I really meant is that this is the sort of thing that has
crossed my mind. [pause] But as we all know, [pause]
it would be wrong. Gosh, in the face of all these uncertainties and threats,
it’s hard to know what to think, how to plan. [pause]
Frankly, I’m confused.
Scratches his head. Agent Orange looks directly into his eyes and as
he does so, El Presidente, now almost completely enveloped in smoke, seems
to become more sure of himself. He stands up straight, looks directly into
the camera, and says : My friends, we now stand at a unique crossroad of history. Once
we were the most powerful nation on earth, fully confident of our ability
to defend ourselves from any threat. But now, in the face of all these
new developments, we’ve been forced to think beyond military power
and technology, they are not going to be enough. There is a madness at
work in our world, an entirely new form of what used to be called fascism ;
devious, evil, horribly cruel ; a madness which inspires people with the pure
will to destroy, with no concern for whom they will victimize, men, women,
children, ordinary innocent people — even themselves - and their loved
ones.
Back in the Vietnam era some folks in our state department coined
a phrase that was particularly apt : “hearts and minds.” It was felt
we had to win the “hearts and minds” of the alienated peoples of the third
world, to convince them that we were the good guys, that we were on their
side, that our ultimate goal was to help them . It was a beautiful
idea. However, it was a bit of a lie. Maybe we even believed it ourselves,
at least for a while, who can say ? But now, that phrase returns to haunt
us with a strange new resonance. What has happened since Vietnam is that
we have lost the hearts and minds of far too many, all over the
world, and even within our own borders. Too many hearts and minds have
been turned against us, resisting us, resenting us, no matter how hard we’ve
tried to win them over. So now the greatest threat may not be the terrorists
themselves but those who sympathize with their nefarious goals. I must therefore announce that I have decided to lead this nation on a new
path, a path where a genuine concern for the welfare of others will take
precedence over all else, even the development of economic and military power.
We can’t win those hearts and minds through an indoctrination program,
so-called “market reform,” or some advertising campaign. We can succeed
only by truly caring for our whole Earth and taking concrete action to make
the world a better place for all its inhabitants, rather than just
a privileged few. Instead of lots of words and phony promises, we must
set an example through our actions, making a genuine effort to redistribute
the world’s wealth, so all may benefit from our impressive,
but not always noble, achievements. Maybe then we can convince the so-called
“aliens,” and maybe some of our own justifiably angry and disaffected citizens
too, that you can’t make the world a better place by destroying it.
Agent Orange smiles and nods. El Presidente waves to the teleprompter
and both exit.
Scene 14
New York street scene. Three spectators, one of which is the Street
Person, are gathered in front of the Professor, who is standing on a wooden
platform. Professor
Listen. Listen well to my words. We have sinned. Sinned. We
must change our ways. Our ways. Change our ways. We must repent.
Street Person
Sarcastically Hail ! The voice of the prophet !
Professor
I am a prophet. Prophet. A prophet. I speak for the
Ancestors. They are angry. Angry. Now I know why. Finally I figured
it out. I understand. Seen the light light the light. Finally. Finally.
Finally. They are angry.
Spectator 1
Ancestors ? What ancestors ? Whose ancestors ?
Professor
Years. Millions of years. All that residue of the most ancient
forms of life. The most ancient residue of living matter. Where is it now ?
Where ? Where is it ? Slumbering deep deep down in the dirt, the earth,
earth, hidden away very deep in the bowels of the earth undisturbed for hundreds
of millions of years in the dirt. [ pause ] And then. One day.
One cold day. Some human digs. And digs. And finds something. Something
to burn. Burn. Some sort of handy substance you can burn. Limitless
supplies, huge, huge, huge amounts of organic material buried deep, deep
in the earth and under the sea, dead matter, residue, remnants. In fact,
the remnants of our oldest ancestors, from the earliest beginnings of life
on Earth, remnants we’re now dredging up from their ancient burial
places - in the form of coal, oil, natural gas, what we call “fossil
fuels.” You think you can treat it with indifference, as though it were
just nothing at all but something sitting there for you to use, for you to
burn, burn, to burn. It keeps you warm. It powers your cars. It drives
your turbines, produces your electric power, fuels your factories, your armies,
makes everything possible — for those who can control it. But
reflect - REFLECT ! Every living thing on Earth is descended from these
“fossil fuels.” They are a part of you - and you of them. Their
primordial desires, desires desires, pri-mordial, are buried deep within
you still, embedded in your very DNA. And now. They are burning. Your
ancestors are burning. Burning. You have violated the earth and the sea
to dig dig dig them from their ancient resting place. And you are burning
them. Burning. Burning them up. This burning of the ancestors, it is
what has made our modern world possible. And what is now choking it to
death. [with great emotion :] Oh forgive them, for they know not
what they do ! [ pause ] Look up. Up ! What do you see ?
Spectator 2
A cloud. Oh, an airplane. Looks like its just taken off.
Professor
Look behind the plane, what is emanating from behind its motors ?
Spectator 2
What, you mean the exhaust ? Contrail ? Trailing off like that ?
It’s only the exhaust from the jets.
Professor
Growing increasingly excited. No. Not only. Not only anything. What you are
seeing is the ghosts ghosts, the ghosts of the Ancestors. Ancestors. Our
Ancestors. The most ancient Ancestors from the very beginning of life itself,
burning in the fiery furnace of those jets. Look ! Observe the faces forming
in the contrail. Can you see how angry they are ? Can you see ? Can you
see see can you see ?
Spectator 1
You know I can almost see it. Like a kind of bouquet of Godlike
heads pouring out of the engines. They look kinda upset. Kinda mean.
Street Person
I see nothing. What utter bilge. I know this guy, folks. Used
to be a professor at the University, one of the smartest, a very promising
guy, Enrot even financed his research for a while. Sad sad story. Now
he’s a hopeless crackpot, living on the street, in love with his own
nutty theories, spouting garbage day and night to anyone who’ll listen.
Spectator 2
Sounds like a certified nut case to me all right. The Ancestors,
eh ? Burning our ancestors ? Hey, buddy, get over yourself. It’s
a jet plane. Burning aviation fuel. I don’t see no ancestors, no
ghosts, just some exhaust from a plane.
Spectator 1
Let’s get outa here, Bill, this guy could turn dangerous. He’s
practically foaming at the mouth already.
Professor
No. Come back ! You must listen. You must repent. We must stop
burning our Ancestors, they are powerful ancient spirits — they are angry.
It is they who have activated the Aliens, forged them from the crucible
crucible of our own collective unconscious, our collective guilt. Guilt.
Guilt. Unless we can make peace with them, they will destroy us, we’ll
be doomed. Doomed I say, doomed doomed doomed.
The Street Person and the two spectators walk away, leaving the professor
in a state of great agitation, pacing and wringing his hands.
Scene 15
Night. A clearing in the woods made to resemble a landing field. The
Street Person from scene 5 appears, with three followers.
Street Person
Listen up, my friends. I’m convinced our plan is going to
work, I just know it. Stayed up day and night cracking their code, didn’t
we ? Now we’re sending those signals out from 100 different satellite
channels in thousands of different directions. And you guys, you guys have
been doing great, just doing a great job. I knew I couldn’t go wrong
assembling my old team from Enrot. In the eyes of the world we may be
a bunch of greedy, sleazy manipulators, but in the eyes of these aliens we’re
going to look like the salt of the Earth, you better believe it.
Follower 1
Hey no one does PR, no one does damage control quite
like Enrot, right fellas ? Once the message gets out to these alien rubes,
once they get wind of what we’re claiming to have done, how we’ve
been preparing this landing strip just for them . . .
Street Person
Well they’ve been badmouthed just like we were. No ones ever
been able to prove any of us actually meant to do anything illegal or unethical.
And no ones ever been able to prove it was the aliens behind all those
bombings, there’s never been one iota of evidence on that score. Sure,
I myself bought into all that propaganda about them, what monsters they were,
how they craved human flesh, how they wanted to take us over. But then
Follower 2
Tell us again what you saw, Daryl, what happened to you up there.
Street Person
Well first all I could see was a lot of smoke, just billowing up from
this open manhole. And this “buddy” of mine, you know who I mean, this
nutty Professor, just started carrying on about the “Ancestors.” And the
smoke or ancestors or whatever kept getting thicker and thicker and started
swirling around and suddenly I’m being lifted up inside this smoky
vortex, carried higher and higher and believe you me I am at this point scared
shitless. And then I see these strange, really eerie lights and some sort
of portal opens up. And the next thing I know I’m on board this —
space ship.
Pause. Well I was treated really nicely, not like here on Earth, where everyone
who knows who I am wants to spit in my face - and everyone else just
treats me like a bum. The aliens showed a lot of respect. And no one ever
implanted anything up my nose or in my ears or anything like that. They
just touched me, with these delicate little fingers of theirs.
And it felt really really good. These creatures, with their enlarged heads
and tiny, spindly bodies, they were so - ethereal, spiritual —
otherworldly . As though they’d completely transcended the world
of the flesh, with no need for anything earthly, no need for clean water,
healthy food, shelter, warmth, even love, as though they lived in a realm
of pure mind. They never said a word, just looked at me with those big,
watery eyes of theirs and right away I understood what they were saying.
Follower 3
Tell us again what they said. Tell us.
Street Person
Crying softly. “We forgive you” is what they said. With their eyes. “We forgive
you.” That’s all. And I just, I just started to cry, just blubbering
full tilt, non stop, like a baby. Then they showed me some kind of three
D movie that I saw in my head, of what it’s like on their planet.
So beautiful, so peaceful it was. Very - futuristic-like. And they
invited me to come on over and visit them there. Only next thing I knew
I was back on the streets, staring at some newspaper with the latest disaster
sprawled all over the headlines. But when I looked up, I saw it, this
vision of an enormous billboard right before my eyes, containing the words
that have given my life meaning ever since : “If you build it they will
come.”
Pause. Friends, our world is tearing itself apart, no one is safe anymore,
not even the privileged and affluent. We’ve had it, our future is
no longer here on Earth. The aliens can read into our souls, they know
who truly believes, they know whose hearts, deep down, are pure - yes,
pure , despite all the mistakes we’ve made. They will forgive
us - and they will come, I have complete faith in them — they will
come to take us to a better world.
Follower 1
“If you build it they will come.” Truly my friend, yours is a prophetic
voice. Well, we’ve built it. The landing field. It’s finally
done. All we need to do now is be patient. Wait.
Follower 2
For as long as it takes. Follower 3
Bows down. Clasps his hands together in prayer. As long as it takes. They will come. I know it. They will come
for us. And we’ll be forgiven. At last. We will be forgiven. And
we will be safe.
All Four together
Bowing .
They will come. They will come. They will come. They will come. END |
![]() L'étranger est paru. Voir sommaire dans le nº22 de la RAL,M. |
design: ©Patrick CINTAS
Numéro spécial
L'ancrage : revue de recherches interdisciplinaires (The School of Arts and Sciences/
The University of Pittsburgh/University Center for International Studies/Center for West European Studies)
&
Revue d'art et de littérature, musique (Le
chasseur abstrait, éditeur - Patrick CINTAS - Venta del Lorquino -
ALFAIX - 04280 Los Gallardos - España):Dépôt légal: AL-44-2004 - ISSN: 1697-7017 - Junta de Andalucía - España